classic acid techno, the first full ep on suf from one of the leaders of the nu school.

ranging from up-tempo to balearic beat, these remixes are sure to hit the mood. pete herbert brings an 80 s dance floor flavor with massive stabs to perk up any situation. a vision of panorama mix is a beautiful mellow, sexy anthemic tune, perfect for the sun beaming down on the islands of your mind. greeen linez has the ultra lounge, 90 s jazz groove covered here perfectly.

one day back in end of the eighties, a pair of friends began sharing a deep love for music, the music we have been supporting, playing and now, able to put it out for your listening pleasure: ‘mind merge lp’ is a beautiful quintessence of detroit electro, funk and techno, partially blending with contemporary electronic contaminations and we believe it’ll be as timeless as many of their records before.

clutchy and fatty....high desert crunch meets city life punch for this collaborative project in sound. instrumental elements of soul, jazz, hip-hop, rock and more resonate throughout the record. just what any clutchy hopkins or fat albert einstein fan would ask for, track after track of laced up loveliness. these two gents pair banging rhythms with lush melodies and top them off with their signiture low brow high fi sound. guaranteed for some straight nasty. acoustic and electric instrumentation set the tone and in their individual stlyes, clutchy and fatty navigate your journey through psych folk caverns of cactus dust and marine layer funk with bloodshot rust. it is distinctive, original and fresh, paying homage to the past, present and future. visionary folk funk.

supply records proudly presents waynette’s stunning debut album, “eraser on the dancefloor”. a heidelberg native living in berlin for the past few years, the dj, producer and vocalist has landed with her first ever release of any kind. supply could not be more honored to present her fresh, raw and distinctly personal take on underground dance music to the world. these seven tracks effortlessly span a range of techno, house and electro moods, interspersed with waynette’s unique vocals. from meditative rhythms to jagged electronics, a bold new voice has arrived, a multifaceted and hugely creative artist, and one to keep your eyes on for years to come.
the album was long in development, assembled from a wealth of productions, with new intriguing ones constantly arriving at the label’s doorstep. with a cache of material to carefully pour over, the final track list was decided upon an at a in person meeting in berlin between label heads and artist, the perfect musical harmony achieved. a landmark release for a label mostly focused on twelve inches so far, this is supply’s second ever lp, after rene&#769,,, audiard’s well-received “pechorin” lp in 2012 . “eraser on the dancefloor” is a fearless album, and it arrives in striking artwork by mikala hyldig dal, who also directed the video for “gentle.”

cosmin trgs fizic is proud to present its first 2017 release, from an exciting new name. serb is born and raised in craiova, romania, where he spent his youth playing guitar in nihilistic, a local punk band. in 2014 he released his debut 12inch, on transient recs. his sophomore record is a prime example of his unique, cerebral take on dance music. qui vive is a somber, syncopated elegy of rugged elegance, with fizzy drums and percution filtering in and out over the fragile melody. feet locked is analog honey poured into your post-rave ear. after-glow synths follow an expertly modulated bass. finally, persistent prick echoes the esotheric explorations of actress, with added twisted funk. serb’s impressive talent and exuberance flow through his music, expect more from our new signing in the very near future.

following his first ep for accidental jnr in the summer bambooman is now back with something entirely different. the downtempo experimental designs of the ‘feel ep’ give way to his latest offering ‘shudder’. available on 12” and digital the 4 tracks of shudder weave through a club music tapestry like a chainsaw through custard. the opening and title track is hard to describe, a mix of off kilter synth stabs and hammering snare that routes you to the floor - it’s one of those tracks to whip out of your bag to remind the crowd they have no idea what is coming next. track 2 ‘grasp’ with a blissful detroit groove under deep rich melting chords is a perfect blend of early funk house style and super crisp new production. side b opens with ‘m1’ a lazy floor track with washes of bells, static and detuned synth above a bed of solid kick and shuffling bass. finally ‘kyrian’ closes proceedings, another club friendly slice (despite being in a 7&#8260.8 time signature), the track could have led the ep in its own right but feels like the perfect bookend with its shifting almost garage like 2-step feel and glancing vocal hook.

after his debut ep hello 307 and critically acclaimed follow up lp dance with me we find microlith, aka rhys celeste, pushing his sound ever forward. celeste takes his sublime musical ability and electro funk influence to produce a compelling soundscape. a vast army of analogue synths can be heard on every track which will catch the ears of afx fans as he effortlessly manipulates them into beautiful, highly detailed compositions. this ep occupies a corner of electro seldom trod, and with it celeste galvanises his lofty position in the new wave of braindance. rip rhys, our deepest condolences go out to your family and friends

imagine being dropped into a spiralling warehouse of acid and sub-base pressure with only four tracks to lead you into the light. the he-men compress three hours into a key change driver, stabbing and bubbling as you reach the surface gulping for air, bathing in the strings, dripping in acid-wash. before you know it you’ve been whisked away to the halcyon days of yore, creeping around castle corridors. leeds native djpc then kidnaps your soul for a spin in acid mundae (24 master) bombarding you with high hats, rolling baseline and old school pads and synths that take you to the dark underbelly of house music and beyond the black rainbow. the shadow of dawl’s electro powered hand then commands you with telepath, breaks and bleeps morse code that compel you to dance. the menacing sample, “i know what you’re thinking,” crawls around your skull until it finally shakes you loose from his imperious grip. dawl isn’t finished yet. his apache spirit breaks loose in freestylin’, a controlled dash of a tune that scratches all over your body, hauling you to his hip hop roots before dumping you, used and abused back on the dance floor waiting for an uber to teleport you to the darkest after party you can find

inspired by the likes of raresh, zip, and villalobos, the artist known as kepler has something special in store for your local area dance floor. “making chords” is an exciting new release that’s guaranteed to please. the title track “making chords” can be appropriately described as nothing less than an addictive, bona fide banger that will instantaneously hook its end user after one listen. from the beginning kepler. sets the pace with a smooth, sexy bass line that will command your attention and aggressively compel any crowd to start dancing. this passionate production pushes its agenda with a rumbling tempo, dynamic drums, and intriguing vocals that are well worth repeating. laced with clever sounding samples and purposeful piano licks, “making chords” is made for anyone and everyone. the second offering, “wire” is a quirky, fun departure that gives insight to kepler’s wide range. this spooky sounding track is characterized by its off-beat rhythm, saturating bass tones and curious sounding signals that slide up and down while continually building momentum. as the “wire” progresses, one can’t help but to take note of how its unpredictable nature is dictated in such a well-organized manner. very, very interesting.

mihai popoviciu has carved out a reputation for being one of the most innovative producers of electronic music active in europe today. the man from romania has established himself both as a highly respected producer releasing on labels such as highgrade, international gigolo and dessous and as a killer dj performing all over the world. fiction is his 4th release on poker flat recordings, and delivers four distinct flavours to sink your teeth into. i should is a slinky groover, with a slippery, evolving bassline, tight, funky percussion and a sultry female vocal. working just as effectively early in a set as a peak time moment, its bound to get rinsed in the coming months. twisted is a little harder - a straighter beat signals a more heads down approach, and the bassline is sure to trigger some dancefloor scenes wherever it gets played. next up is title track fiction which perhaps makes a reference to mihai’s background, with fragments of eastern european melodies woven into the beautiful synth work, all tied together over a spacey yet driving rhythm track. last but by no means least is interconnected - a straight up deep bomb with echoes of classic chicago deep and acidic house in its warm and sensual vibe.

blackrod proudly announce its second release. the quality techno music included on blackrod002 is provided by the italian born mtd. on the remix side two dutch guys, the twr72 formation show how do they think about techno.

out of the south american continent colombian producer duo uron appears for the first time on black brook limited. two tracks of the original and three remix versions completes the ep. the tack titles hiperion and leda are multiple terms. one of saturn s moons is called hyperion and one of jupiter is called leda. we don t know for sure if there is an intended meaning to their sound involved. what we listened to is what you get now. pure energetic techno, signal sounds, heavy drums. the upcoming ep contains more than 30 minutes quality music. responsible for the two remixes is greek producer endlec. hyperion and leda are also two terms leading into the world of greek myths. is it the bridge to endlec while travelling through space your soundtrack should be the 9 minutes groover of leda - repressed mind & escape to mars remix is the perfect piece to float.

it’s time for local talk to go local again with another swedish producer, eric ericsson. with numerous releases out in labels like planet e, fragile and freerange he’s one of those producers with one foot in the techno scene and another in the more soulful house scene. basically, he s not a one trick pony! for his release on local talk we would say he lands somewhere between classic chi-town house and thumping nyc house groove but without sounding too retro or washed out. its simply real house music! we begin with love it, a real bumpy house track with analogue basslines and swinging fender grooves that will work both stateside and in the european house clubs. the second track the chi is as the title suggest a homage to chicago with a slight old school boo williams fee. - dope! but thats not all, to give the release a broader twist we got man of the moment oskar offerman (berlin) to remix love it for us. oskar goes more deep with his trademark sound and gives us a dark mix that will sound amazing in your favourite berlin club of choice.

mentha records steps up with a various release called into yourself featuring four emotive compositions that span the deep house spectrum. tides by michael lovatt starts the 12inch with lush chords and a deep baseline that gives off a warm feeling. kareem ali is up next with arnaldo tamayo mendez, a sensual track that is packed full of frequencies as ali shows off his harmonic and arrangement skills. the flip side begins with an anaxander piece called unspoken , with an emotive motif that displays homage to a classic deep house sound. michael zucker is holding up the last leg with together, this melancholy tune seeps its way slowly into your cells through an invasion of warm tones. into yourself is a solid 12inch for the deep house soldiers.

well it s time to let someone else have a go, label boss nail concedes, and so for the 8th release on 89:ghost, and it s first for 2017, we are very proud to welcome logic systems of vancouver bc to the roster. in the artist s own words, the logic systems ep is a selection of lush, expanding hypno-excursions from the west coast of canada. 4 self sustained energy patterns designed for movement, body/mind awareness or inner reflection. is that a studer in your pocket, or are you just enjoying the show? presented on total darkness black coloured vinyl.

egal 3 has returned to sov under the name of vid, an alter ego for his real musical expression. bringing 3 great tracks to your eardrums. nice!

strong bass sounds on sohaso

strongly 1990s ebm rooted, noise & industrial sound scapes incorporating, blinding, techno aiming remix set. limited edition of 500 copies.

presenting fapte002 - anamorph - subconstient ep (white 180g, vinyl only - limited)
originally from tunisia, anamorph is one of those great explorers who travel the world in search of new influences, finding inspiration in romania after a few years of living in bucharest, he presents fapte with 2 original tracks to match the identity of the label:
side a of this white vinyl consists of one original mix - sub constienta - with an uplifting baseline, with industrial background textures complete with mesmerizing synths that make your body vibrate to the groove.
on side b, swing altfel is a track that tells the story differently, taking the listener on a long journey thru the sound. just like the exquisite painting of painter leonid afremov, the track it self has many sounds combining one on top of the other in a progressive release of the right amount of joyful vibe, with passages and percussions mixed with tweaked vocals, giving this track the perfect rithm.

d edges cultured off shoot olga is back with a new ep, radiolarian, from german-bulgarian stefan goldmann. again it is a perfectly well sculpted ep with deep and sleek lines that get right into your head. the man behind it is the co-owner of the excellent macro label and for more than fifteen years has released intricate house and techno sounds. he is a deep thinker and master of hi-fidelity sound design and intricate grooves, so is perfect for this label. radiolarian is first and is seven sublime minutes of tunnelling techno rippled with neon melodies and firefly like pads that burrow into your brain. it is a high tempo and high impact track but a subtle one that works its magic slowly. building to a number of peaks, it then pulls back and the whole thing starts again. on the flip, streams is freaky and unhinged, with weird synth sounds making for a trippy atmospheres as minimal beats roll below. perfectly detailed so as to work on both head as well as heel, it rounds out another fine ep.

2x12 inch lp complete with digital download code & 7 inch sized 32-pages comic novel. with -songs for william 3- ulrich troyer presents the final part of his experimental dub trilogy. the hand-drawn bonus track is entitled -william - the seven year itch-. a comic novel narrating the story of a breakup from the perspective of a stomp box called william and a ms-20 filter clone named charlotte.

pessoas que eu conheço is back with a new 12 that highlights why instrumental virtuosity is still the bee’s knees. glorious solos and otherworldly pads go head to head and head directly to the heart of your favourite retro video game.

joakim on samurai: this is a very personal record. i tried to channel the emotions and spontaneity i had when i first started making music. its not about nostalgia, its about the freshness and directness call it naivety you lose when you start becoming a professional musician. i moved to new york almost 5 years ago. these past few years have been a weird combination of excitement and quite challenging events. ive learnt what it means to be exiled, in every sense. this album is about that, being far away from home and from yourself and finding your way back. the album is built like an unknown city, you walk through it, making random turns, getting lost, some corners may bring back memories, you’re getting away from something and at the same time youre on a quest. hence the importance of listening to it in its entirety (yes, im a utopian). it will be the only physical release, very limited. no cd edition. producer, d.j., label manager, tireless gem searcher, musician, music lover, its hard to reduce joakim to a single function xavier veilhan, french artist et sculptor tall lanky weird dude who makes great music

more stories from lonely planets rec. on the long awaited debut ep of star traveller sinan alakus. solid 12” diameter taking you on a cosmic waveform expedition with clean spacious orbits inspired by past, present an future. warping through techno jams and time bending house grooves to atmospheric ambient and kepler electro cuts. five ethereal voyages to make that interstellar medium travel less lonesome.

late night phone-calls, lonely connections & aviating trance. straight from our isle to your alley!

phi002 returns to your favourite record store with a vengance. the pragmatism ep opens with a subtle yet catchy electro rattle crawling from a wet basement, soon opening rusty iron doors with an -early 90s electronica- sign with the help of a massive atmoshperic push. dial-up terror manages to recall the boundless sounds of pioneering techno days only to give hand to the playful and jacking afterhours stomper that is no - fun + compute. crossroads between ambient and electro rarely sounded as dreamy as with timeless ultrasonic sensei particle and its kaleidoscopic arrangements, that might have landed on of your favourite early warp releases. phi002 saves best for last with cinematic hypnotism called memento mori, a perfect closure for a colourful release that carves a soundscape deeper than trendy genre names.

timmo follows up his debut drumcode release we beat on with a brand new 4-tracker packed to the rafters with his own unique blend of techno. his productions are getting plays from the likes of adam beyer, joseph capriati and richie hawtin amongst others, 2017 is set to be his biggest year yet. timmo s unique sound has captured the eyes and ears of many highly revered techno djs around the world and his system release is a stark reminder of exactly why this is. intensify is a big room record that is set to do some real damage on dancefloors worldwide. this peak time tool thumps through 7 minutes of power, dragging you in and throwing you out the other side as the track rolls on. the maze is an example of his excellent production, with his use of synths on a level that some producers take years to hone. system is a haunting track, authentic four-to-the-floor techno that screams in to top gear right from the off. the release closes with the more groove and bass line laden together . one of those tracks that is guaranteed to get stuck in your head

you should already know who porter ray is (but you probably don’t.) the machines that seek to control your perception don’t want you to. he is too much of an anomaly. porter skews the modern experiment that is contemporary rap music wildly. he is in a word: authentic. porter ray is a natural… he sounds like east seattle feels.
from the same wet blocks that spawned quincy, jimi and ishmael, comes porter ray. having previously penned six projects showcasing dexterous wordplay, unflinching honesty and vulnerability, tempered with equal degrees of braggadocio and charm, porter is an old soul, a story teller par excellence, a griot possessing insight beyond his years.
double vinyl release with download code included.

in 1979, emma dorgu decided it was time to act. he’d torn up the lagos live scene with the thermometers and conquered the airwaves with the single, ‘world people’. but there were injustices afoot, not just in nigeria, but in south africa and zimbabwe and across the continent as well, and he felt that something needed to be done. roverman was his politicized call to action. blackman akeeb kareem lent him the instruments and let him rehearse in his sitting room. dorgu sets his stall out early in the reggae-tinged ‘free my people’ calling for freedom for south africa, freedom for zimbabwe, indeed, freedom for all. thankfully political injustice hadn’t rid emma completely of his urge to get on down. the new york ghetto funk of ‘roverman’ and ‘loving’ and the straighthead boogie of ‘afro fever’ leaven the message with a funky beat and an irresistible pull towards the dancefloor. on roverman emma dorgu has achieved that that rarest of beats, an album that challenges your mind while it speaks to your feet. protest music has never sounded so funky.
(peter moore)

mint condition - a brand new record label focussed on excavating the outer fringes of classic house and techno. unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. from chicago, detroit and new york to london and beyond, mint condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! dig in.... forever ahead of the curve, matthew herbert dropped this 3 track ep on classic all the way back in 1996 and every track featured sounds like it could easily have been released yesterday. such is the genius of herbert, always managing to be one step ahead of most other producers, whether it s producing slamming house like you got to be moving , rolling emotive electronics like fat king fire or subtle, shifting percussion confusing jams like housewife all of his tracks retain this fresh energy that can t be pigeon holed. classic herbert is exactly that, a 3 tracker that defies genre, celebrates the eclecticism of it s producer and still manages to be slamming (& classic) in the process! essential stuff! this ep has always been tough to track down, proving to be a very sought after gem in the vinyl digging world. a repress was definitely needed! classic herbert has been legitimately re-released with the full involvement of matthew herbert for 2017 and remastered from the original sources specially for mint condition. 100% legit, licensed and released. dug, remastered, repackaged and brought to you by the caring folks at your new favourite reissue label - mint condition!

the rtct. records posse found themselves a new family member for their upcoming record. this time it s the austrian house legend demuja delivering a bundle of three crunchy house tracks going straight to your legs. no other than urulu is topping things off with a percussion-heavy remix of 16 volt, which is stepping it up a good notch. as a result you re getting a bunch of quality club tunes that were built to last! just like their previous release by leo woelfel, the record comes with a seal of freshness, so rip it open and enjoy limitless playtime with maximum flavor. buy the vinyl and find the easter eggs they have planted for ya!

everything that is the imagination, alternate or otherwise. often thought of as crazy or weird . your west friends would like to welcome you to their new vinyl imprint. a label that hopes to fill your record bags (as well as your hearts) with that dope shit you yearn for. up first are two friends and collaborators medlar & ishmael with four rhythm tracks that heavily utilise the cowbell, amongst other things, to get the juices flowing. perfect for your next shubs. look out for more records straight out of se15 peckham. incubated in rye wax, pressed for you and yours. have a good time, all the time.

hercules & love affair return to the fray with “controller”, a pulsing, propulsive new song that signals the first salvo from their long-awaited new album. featuring the horrors’ faris badwan on vocals, it takes the hercules’ disco-house heritage and fuses it with starker post-punk stylings. a taster both sonically and aesthetically of the new album, controller connects new wave, post-punk and 80s electro within the clubland realm of hercules & love affair. also featured is tuff city kids italo-disco inspired remix, and mike simonetto homage to early 90’s west coast break-beat house, and then there is the superb dub of the original….what a package! hearing the the horrors’ live version of frankie knuckles & jamie principle’s ‘your love’, andy realised he’d found a rock artist willing to engage with dance culture s history. with its underbelly of seamy ‘80s electro-pop yet recalling early house records by the likes of lil louis and bam bam, “controller”’s sub-dom, master-and-servant roleplay in the lyrics work perfectly with faris vocals delivery creating something truly quiet special

nitai hershkovits is a pianist and composer based in ny. mostly known from collaborating with renowned bassist avishai cohen in the studio and on tour. combining the classical and jazz worlds with singer-songwriting elements, nitas compositions and playing are simple with a twist of complexity.

now this is what we call a comeback! first ep in over five years, produced by amsterdam legend quazar. to quote gert van veen himself: this is the best ep ive made in the past years. thank you guys, your enthusiasm is just inspiring. kept me going on and on. couldnt have said it better, this release is a bomb. fuck that shit, and dance for at least eight hours straight.

theres a certain ancient mystery to the melodies and feeling of purple hills. gentle, secret, ethereal moods that float invisibly in the spaces its played in. echoes of a familiar dream reverberate behind closed eyes that always remain slightly out of your grasp. chriss vogt’s trip takes you away to that place. a place though that only he knew existed.. until now. yokoo continues to create his own unique vibe. he expressed his love for the track when all day i dream visited morocco. with its groovier approach, it slowly creeps into the consciousness. a crisp drum groove and just a hint at the original’s dominant melodies create a understated new version slightly left of centre. chriss teams up with patrick jeremic for pour eternel. its always summer somewhere and it s dreamy essence charms the listener here. classy house music to take us through winter in the northern hemisphere.

it’s hard to get a handle on nigerian musicians nash dodoo, charlie cuul and jonas caulley. in 1980 they released an album of face-melting gospel boogie as the bml chapels. and in the same year, calling themselves the beta yama group, they put out free love, a belated love letter to san francisco’s summer of love and an album altogether focused on more worldly concerns. free love is a small slice of haight-ashbury transported to the polygram studios in lagos. ‘te revoir’ is mamas and papas jamming with sergeant pepper’s beatles. ‘free love’ offers a respectful nod towards je t’aime-era serge gainsbourg. sure, ‘revolution’ gets hard and funky and ‘rain’ flirts briefly with a calypso reggae sound, but the majority of the album is cheesecloth and flowers in your hair. insanely rare – and worth buying for the freaky cover art alone – free love is a funky, reverb heavy call for love, peace and sweet, sweet loving. what more could you want from an album?
(peter moore)

name in lights have been organising parties, djing, producing music and running their own label feed for a long time. fact is - they are kind of royalty back in stockholm. after releasing records on under the shade, free association, let s play house, as well as getting remixed by dr dunks and axel boman it s now time to present two tracks on omena. believe it or not but the ties between omena and name in lights go way back. all inclusive is that type or track you would either start or end the night with while post mortem sounds like dj koze and isolee would have a baby together. on this release there are two remixes which completely flip the originals. underground hero samo dj is a force to be reckoned with. with recent releases on the trilogy tapes, public possession and an album on snaker together with maxxxbass he found time to work all inclusive into something completely new. watch out for the end. finally label boss tooli delivers a remix filled with as much rhodes and conga as your heart desires.

pp020 toot toot? beep beep! ladies and gentlemen, hold on to your hats - because this aint no lightrail! all aboard the b.t. express for a trip through space and time with your conductor, rohan bell-towers. feel the locomotion. let the tracks take you there. you’ve got to get on to get off!

limited 198 copies , special edition
incl 6 x 7 inch vinyl:
kristofferson 001.5
kristofferson 002.5
kristofferson 005
kristofferson 006.5
kristofferson special 1
kristofferson special 2

celebrating the 50th anniversary of miles smiles with this 3x12 inch vinyl, housed in a triple gatefold sleeve. features previously unreleased session recordings from 1966 - 1968.

!! 2017 repress !! dodgy white label number 1 from your favourite grumpy old shit sticks is a couple of low rent, don’t do much ass shakers from the vaults.
give me the was made in 2007 & let’s dj’s get on with what they love doing ….. mixing the hell out repetitive records.
our man though may, or may not, be heavily sliced out of something else & rearranged into dancer paradise from the shards left over.

dilated pupils is a collective group of likeminded friends from the netherlands each with their own influences and style, whom together have a distinct flavor in productionconsisting of analogue machines, tape noises, and raw one-take jam sessions. each of them have their own solo productions as well as other collaborations, but when united as dilated pupils prefer to be known jointly as one entity with their own unique and distinguished sound.
since 2014 the group has developed an interesting discography with releases on labels such as fear of flying, sol asylum, mode of expression, tabla, music is art, dorcas, make sense and mayak.
now, the group takes the next step and created their own playground dpbeats. be sharp and keep your ears open, because the beats are loaded!

joining our label for the 4th release are dan andrei and kozo, under their collaboration named ak41, a fructuous project that offers three highly complex tracks.
on the a side you can find “icebreaker” solely, an eccentric sound with a steady bassline, percussive kicks, tripping shakers and a thoughtful, mysterious melody that touches all the frequencies of your body. turning to the b side we find “swingenious”, a groovier interpretation produced by a combination of spacey feelings and sophisticated instruments that will move every bone on the dancefloor. closing the ep is “in memoriam”, a melancholic version that is not short of an aggressive bassline, ambiguous vocals and deep introspects, all aligned to disconnect you from the reality of routine.

we discovered florian muller 3 years ago and fell directly in love with his funky and soulful house music. it took time to make it happen, here it is, his ep on concrete music 3pm is finally here!

vinyl only. handstamped limited copies. after the success of the first one, mancini presents you second release of his own imprint. prepare your dancing shoes!

a second selection of edits from love creation, this time with a more balearic slant to enchant your dance floor.